Minggu, 28 Februari 2010

Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films,

Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

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Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books



Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

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The world’s best, wittiest lowbrow designers reimagine movie posters for 150 cult films that are built into the DNA of any movie buff Nightmare on Elm Street, Psycho, Vertigo, Poltergeist, Metropolis, Ghostbusters, Blue Velvet, Blade Runner, Star Wars, Alien, Mad Max, Robocop, Reservoir Dogs, Jaws, The Big Lebowski, Rosemary's Baby, Taxi Driver, The Postman Always Rings Twice, and many more films are given new art by the likes of Grimb, Coop, O'Connell, Alderete, Hertz, Pullin, and more. Almost always better than the originals, these new visual takes on iconic movies will delight anyone with an interest in film. For the Hollywood aficionado this visual feast makes a perfect gift; while for graphic designers, both professional and students, this makes for a great source of ideas and inspiration.

Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

  • Amazon Sales Rank: #538587 in Books
  • Published on: 2015-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .60" w x 8.70" l, 2.54 pounds
  • Binding: Hardcover
  • 176 pages
Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

About the Author Graffito Books is a London-based publisher of visual, counter-cultural design, graphics, street art, and fashion books, with a creative office in Hastings on the UK south coast.


Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

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1 of 1 people found the following review helpful. Basically Alternative Movie Posters Vol. 3, and That's a Good Thing! By M. Scagnelli I've bought a lot of film art books recently. The books focusing on the art of the movie poster have been some of the most rewarding. They contain beautiful, colourful, evocative images from either pros like Saul Bass, Drew Struzan and John Alvin doing official posters that we all recognize, or from amateur / fan artists paying tribute to the movies they love, usually from their child / teen years. I highly recommend the books by the three artists mentioned, plus Art of the Modern Movie Poster, Separate Cinema and Criterion Designs. These books will give you a collection of the best official film posters ever made.Unfortunately the art of the 'official' movie poster is a dying one. So many are just pictures of the main actors heads lifelessly floating over the films title. Not very interesting or artistic. Not every new poster is poor, look at the recent (as of this review) posters for the new Mad Max and Star Wars films. These are both pretty excellent, and are really a throwback in style to the more artistic posters covered in these books.Besides these few and far between great new official posters, the best way to quench your thirst for wonderful film art is to check out the work by the fan artists and other non official and sometimes sort-of-official art (some of the art in these books have been used for official campaigns, however not the main release poster).The two Crazy4Cult books are both great, and are very worthy purchases. The art is a little inconsistent in terms of quality, but the best stuff in there is brilliant. The best book in my opinion on the subject of fan movie art is the Alternative Movie Posters Vol. 1 (and probably the soon to be released Vol. 2). All of the art in that book is of very high quality, and I expect the same from Vol. 2. If you are at all interested in this subject, buy those books.Now to this book. I couldn't find much info on this one ahead of the release, so I wasn't sure what to expect. I was very pleased when the book arrived. It could pretty much be called Alternative Movie Posters Vol. 3, or 1.5 , or whatever, the point is that it is very similar to that book in terms of size, presentation and quality of the artwork contained. There are even a few (less than 5) that are repeated in this book from the others mentioned. The book is beautiful, well manufactured and a joy to look at from start to finish. I really can't separate it in terms of quality from the Alternative Movie Posters book. If anything, Graffito's release improves on a few parts. The Crazy4Cult books have virtually nothing to read, they are all pictures.The Alternative movie posters book had a little blurb from the artists and some of their influences and favorites, both in the poster art and film world. This book contains basically the same exact info from the artists for all of the posters, plus adds either quotes or little facts pertaining to the film. Also, while the order of the posters in the Alternative Movie Poster's book seemed random to me, Movie Posters Re-Imagined actually breaks up the films into genres, so a horror section, a crime section, etc. Finally, the previously mentioned repeated material is not a downside at all, partly because it happens so few times and mainly because this book contains several companion artworks to pieces that were missing from Alternative's book. For instance, the Alternative Movie Posters contains two beautiful Dario Argento posters for Inferno and The Bird with the Crystal Plumage, both by the same artist in complimentary styles. This book contains the Inferno poster, but it is missing the Bird with the Crystal Plumage poster, and replaces it with the same artist's posters for Suspiria and Phenomena, again in the same style. So actually, the books compliment each other very well.In my opinion, this is an essential addition to your film poster art book library, right next to the Alternative Movie Posters and Crazy4Cult books. It is fun, interesting and beautiful. Well done to the artists and Graffito Books. Hopefully this will get a Vol. 2 as well.

0 of 0 people found the following review helpful. Love take on these motion picture classics By george golston Love take on these motion picture classics.I actually prefer the versions in this book to the actual posters the industry used.

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Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books
Movie Posters Re-Imagined: Alternative Designs for the World's Favorite Cult Films, by Graffito Books

Rabu, 24 Februari 2010

A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint),

A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray

In addition, we will certainly share you guide A Century Of Protestant Missions In China (1807-1907) Being The Centenary Conference Historical Volume (Classic Reprint), By D. Macgillivray in soft documents forms. It will certainly not interrupt you making heavy of you bag. You need only computer tool or gadget. The web link that we provide in this website is readily available to click then download this A Century Of Protestant Missions In China (1807-1907) Being The Centenary Conference Historical Volume (Classic Reprint), By D. Macgillivray You know, having soft documents of a book A Century Of Protestant Missions In China (1807-1907) Being The Centenary Conference Historical Volume (Classic Reprint), By D. Macgillivray to be in your tool could make ease the users. So by doing this, be a good visitor currently!

A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray

A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray



A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray

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Excerpt from A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical VolumeThe original idea of this Volume was set forth by Dr. Arthur H. Smith in a paper in the Chinese Recorder of August, 1905, entitled "A Centennial History of Protestant Missions in China." As he was the person originally expected to do the work, his remarks will be of interest. They were as follow: -"The General Committee in charge of the arrangements for the Conference of 1907 are planning for the compilation of a compendious summary of the work of all the societies working in the Empire. It was at first proposed to commit this task to a single individual, but when the matter was discussed in a special meeting held May 22nd, 1905, the utter impracticability of the undertaking was recognized.There is no single individual, whatever his acquaintance with China, who could survey the whole immense field with so minute and comprehensive a vision as to be able to present it as a coordinated and harmonious whole. Were there no other difficulty the limitation of time would be a fatal bar to success. Under these circumstances it was unanimously voted to attempt the task by an entirely different process. The Committee is communicating with the home management of all the different societies concerned, and is asking each one to arrange for the preparation of a succinct summary of its own individual work in China; all the manuscripts to be sent to Shanghai to be edited, and eventually published in a volume (or volumes), which will then become a complete, an authentic, and a permanently valuable history of Protestant missions in China for a century."In accordance with this idea, circulars were sent to all the Home authorities asking for succinct historical summaries. At first these were to be limited to 4,000 words each, but this was modified in a subsequent circular to an average limit of 4,000 words, the older Societies being given more space, and the others warned that their matter might have to be editorially curtailed.On January 23rd, 1906, I was appointed to the post of Editorial Secretary of the volume.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray

  • Amazon Sales Rank: #7838719 in Books
  • Published on: 2015-11-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.56" w x 5.98" l, 2.27 pounds
  • Binding: Paperback
  • 786 pages
A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray


A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray

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0 of 0 people found the following review helpful. This centennial report from 1907 is a useful and comprehensive source of information By DFB Orlando This centennial report from 1907 is a useful and comprehensive source of information. Valuable for research. Good to have it available in print. This is the companion piece to the actual records, also edited by Macgillivray.

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A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray

A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray

A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray
A Century of Protestant Missions in China (1807-1907) Being the Centenary Conference Historical Volume (Classic Reprint), by D. Macgillivray

Selasa, 23 Februari 2010

The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

Often, reading The Future Javascript: Object Orientated Programming And Beyond, By Dr. Sergio Grisedale is quite monotonous and it will take long time beginning with obtaining guide and begin reading. Nevertheless, in modern age, you can take the creating innovation by making use of the internet. By internet, you could visit this page and begin to hunt for the book The Future Javascript: Object Orientated Programming And Beyond, By Dr. Sergio Grisedale that is required. Wondering this The Future Javascript: Object Orientated Programming And Beyond, By Dr. Sergio Grisedale is the one that you need, you can choose downloading and install. Have you comprehended ways to get it?

The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale



The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

Ebook PDF The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

If you need to deploy JavaScript to write client-side, server-side, web applications and desktop applications then this book is for you. It is also an excellent reference for troubleshooting Javascript installations in the cloud computing sphere with practical examples and scenarios. Throughout the book you will find all of the code examples you need, all carefully coded, tailor made and ready for your projects. You will learn a great deal. The examples are accompanied by well written text, each having it's own descriptive and easy to read section which will help you to understand the fundamentals of the Javascript programming language, why it exists, and how you might accomplish with it. On top of all that it will provide you with all of the reference material you need to quickly obtain solutions on the fly and on the move as it is well designed and formatted to be read on tablets and phones. Written for both professional programmers and students who want to pursue a career in programming.

The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

  • Amazon Sales Rank: #1106870 in eBooks
  • Published on: 2015-11-21
  • Released on: 2015-11-21
  • Format: Kindle eBook
The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale


The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

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1 of 1 people found the following review helpful. I suspect this is a good book. The three stars are because I am ... By Sheri I suspect this is a good book. The three stars are because I am giving it the benefit of the doubt. The writing is clear and includes enough detail to explain the topics.Here's my concern. It is listed as a 716 page book, and it has no table of contents and no index. That's not ideal for nonfiction, but it isn't too bad if you're planning to read from start to finish anyway. Even if I were going to read it cover to cover, which is rare for these types of books, I'd want to go directly to the topics I'm really interested in first. Only after doing that do I sometimes decide I want to read everything an author has to say about something technical.It begins as most JavaScript books begin, with a review of the basics. The description made me believe it would cover certain specifics in a way I was looking for. Unfortunately finding out if that's true has been tedious. This book needs to be updated with a table of contents as soon as possible.When that happens, I suspect I will happily be coming back to update this review for the better.

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The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale
The Future Javascript: Object Orientated Programming And Beyond, by Dr. Sergio Grisedale

Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen

Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen

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Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen



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What do you get when you cross popular manga style with legends of mythology and folklore? Manga Magic! In this one-of-a-kind guide, beloved and prolific manga artist Supittha "Annie" Bunyapen (a.k.a. Ecthelian on deviantART) shows you how to put original spins on popular fantasy figures and creatures, with insight on everything from what they wear to where they dwell. Inside, you'll learn how to:

  • Develop fantastic characters--from basic anatomy to important details like hair and skin tones.
  • Design costumes fit for a goddess (or fairy, or Pan, or what-have-you) right down to armor, jewelry and footwear.
  • Color with confidence. Achieve various results using basic watercolor techniques, special effects and markers.
  • Set the scene with great backgrounds--from aerial views to underwater scenes.
  • Bring it all together, step by step. 20+ start-to-finish demos feature a variety of mythic characters, from wood nymphs and Golem, to multiple gods and goddesses.
 Whether you base your characters on traditional Greek mythology, Japanese folklore or fantastical renditions of your own imagining, this guide will lead you step by step through the creation of your own magical manga worlds!

Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen

  • Amazon Sales Rank: #236304 in Books
  • Published on: 2015-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .50" w x 8.25" l, .0 pounds
  • Binding: Paperback
  • 156 pages
Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen

About the Author Supittha "Annie" Bunyapen, South Carolina, is a prolific, young manga artist of Thai decent and author of best-selling Shojo Wonder Manga (IMPACT, 2011). Known as Ecthelian on deviantART, her site has received more than 2.6 million pageviews as of September 2015. deviantART.com/echthelian


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3 of 3 people found the following review helpful. It Came Early! :) By Ocean I was pretty shocked to get this early in the mail! This book is amazing and it has several watercolor painting tutorials. However, this book is not a how to draw manga book, which was fine with me. If you are looking for book that explains painting with watercolors I would recommend this book to anyone that is fan of fantasy or manga style art. This book is really helpful if you have some background knowledge in painting because it is one step up from a beginners tutorial painting book. If you are beginner, you might want to pick up this book to have on hand once you get better. :) Also this tutorial painting book covers fantasy based artwork so it's pretty true to the title of the book.The tutorial steps are not as long compare to Shojo Wonder Manga Art school but I think that is because Ecthelian uses more layers with Copic markers to get textures or certain shades of color through blending.If you are looking for a how to draw or use Copic markers tutorial book, you should pick up Ecthelian's other book Shojo Wonder Manga Art School.What does this book cover:-Watercolor Painting Techniques-Tools-Eastern and Western Fantasy Characters (The book focuses on characters more then background settings.)-A Mix of Backgrounds, Anatomy, ETC.-There is more but I don't want to spoil it for you all. :)I hope this helps anyone interested in picking up this book.

2 of 2 people found the following review helpful. A treat for any fan of Annie's :) By Ariel Loh I love Supittha "Annie" Bunyapen's work. I've followed her for years on deviantArt, and I have her other book as well (highly recommended, by the way).That said, her demonstrations are my favorite part of this book. Not only do we get a clear view of some of her beautiful works, but we even get a FULLY EXPLAINED, step by step, WIP (work in progress) type breakdown that most people can only hope for with their favorite artists. We see step by step what she did, how she did it, and very often, WHY she did it. So for a fan of Annie, this book is FANTASTIC.To the budding artist, I would say that this book is more appropriate for someone who has past "beginner" and is making steady progress towards "intermediate". She explains things well and you get to see her thought process, but many of these would be difficult to apply if you don't already have a steady foundation of your own with regards to shading, color palettes, anatomy, etc.To those who don't deal in copic markers, NEVER FEAR. A lot of what she says can be tweaked slightly to fit PaintTool Sai, Photoshop, whatever it is that you use. :)

0 of 0 people found the following review helpful. Five Stars By Pro Y Great book

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Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen

Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen

Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen
Manga Magic: How to Draw and Color Mythical and Fantasy Characters, by Supittha "Annie" Bunyapen

Sabtu, 20 Februari 2010

I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson,

I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth

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I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth

I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth



I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth

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“What do you mean, he’s asked how much I am?” asked a stunned Eden Collinsworth upon learning that a Chinese businessman had inquired if she were available for purchase. Despite this precarious introduction to China, no country has fascinated Collinsworth more during a career that has moved her around the world. Convinced that—despite the nation’s status as a world leader—the Chinese are still socially uncomfortable with their Western counterparts, she collaborated with a major Chinese publisher to produce a bestselling Western etiquette guide.           Now, in these pages, Collinsworth tells the unforgettable story of the year she spent living among the Chinese while writing a book featuring advice on such topics as the rules of the handshake, making sense of foreigners, and behavior that is considered universally rude. Informative, hilarious, and thought-provoking, I Stand Corrected is at once an entertaining memoir and essential reading for those looking to understand the mores of the rapidly changing—and increasingly important—nation that is China.

I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth

  • Amazon Sales Rank: #1318112 in Books
  • Published on: 2015-11-10
  • Released on: 2015-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.10" l, .81 pounds
  • Binding: Paperback
  • 304 pages
I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth

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“A heck of a story. . . . Entertaining, informative and insightful.” —The New York Times“A must-read.”  —Bloomberg Radio“If Eden Collinsworth weren’t so good a writer, she’d do well with her own reality TV show. She has a fearless, go-anywhere, do-almost-anything attitude that—combined with her intelligence and keen observational powers—makes for exceptional storytelling.” —Minneapolis Star Tribune   “Hilarious and insightful. . . . A compulsive page-turner. . . .An insider’s view into the rising power of the East.” —Amanda Foreman, author of Georgiana and A World on Fire “I Stand Corrected has many interesting, even important, things to say about commerce and manners in China, but the book’s real pleasure is Eden Collinsworth’s company. Her mind is lucid and original, and she’s very funny.” —Alec Wilkinson, author of The Ice Balloon “There are very few like Eden Collinsworth who have actually known China, who have seen its transformation firsthand. With her wonderful book I Stand Corrected, she uses her knowledge and experience to build a bridge for readers to cross the river between cultures.” —Xinran, author of China Witness, Sky Burial, and The Good Women of China “Eden Collinsworth’s adventures on her way to writing a best-selling manual of Western deportment for the Chinese are enchanting. . . . I Stand Corrected is an original, fearless, and funny book that you read for its laughs as well as its lessons.” —Joan Juliet Buck “Enlightening, enthralling, and sometimes laugh-out-loud funny. Her revealing and profoundly interesting insight into Chinese culture must be the first of its kind.” —Blythe Danner  “Wonderful. . . . A rare, true gift. . . . A traveler of the world, often with her multilingual son, Collinsworth waxes intelligently and humorously about other cultures.” —Booklist (starred review) “Collinsworth’s observations bring the Chinese and their rituals and history to life ... Entertaining, informative adventures of a woman determined to understand the people of China.” —Kirkus Reviews “An entertaining take on life as a foreigner in China.” —Publishers Weekly

About the Author Eden Collinsworth is a former media executive and business consultant. She launched the Los Angeles-based monthly lifestyle magazine, Buzz, after which she became VP & director of cross media business development at Hearst Corporation. She has been the chief-of-staff of a global think tank and, in 2011, launched Collinsworth & Associates, a Beijing-based consulting company that specializes in intercultural communication. Her Chinese language book The Tao of Improving Your Likeability: A Personal Guide to Effective Business Etiquette in Today’s Global World has become a major best seller in mainland China. www.edencollinsworth.com

Excerpt. © Reprinted by permission. All rights reserved. CHAPTER ONEThe word “etiquette” is rooted in the seventeenth-century gardens of Versailles--one of many reasons the French feel superior.Set in a low valley between two lines of wooded hills, Versailles was the location for Louis XIII’s hunting lodge, which he upgraded to château status. His son, Louis XIV--determined to build a lasting monument to his own regime--remolded the château to an over-the-top level of grandeur. That required a daily workforce of twenty-two thousand men and six thousand horses, and the exorbitant expense impoverished the country.Before discontent among his citizens festered into rebellion, and rebellion triggered the Revolution, life at court was based on social rank. Versailles was entered by many different gates. Only the lucky few possessing the right to bring their coaches into the great courtyard of the Louvre were granted the right to enter Versailles by way of its main entrance. That left a large number of lower-tiered aristocrats with no immediate access.When Louis XIV’s gardener realized it was impossible to prevent those not invited through the front gate from trampling the lawns and flower beds, he put up signs. Already defensive about their lesser point of entry--fearing they were being left behind--the aristocrats ignored the postings, which resulted in a royal decree that no one go beyond the signs without a ticket, known in Old French as etiquette.Louis XIV’s insistence that his retinue uphold manners had an influence on the bourgeois, and the term l’etiquette became a broader reference to signs of correct behavior.Temporarily banished during the French Revolution, etiquette was eventually recalled from exile and it still holds sway. When, after a joint press conference, French president Jacques Chirac muttered into--unbeknownst to him--an open microphone that British prime minister Tony Blair was mal eleve, those deadly two words formed the worst kind of insult. The expression translates to “badly brought up” and casts aspersions on not only the offender but also his parents.Though not badly brought up, I certainly can’t claim to be a trusted source on etiquette, but Gilliam’s idea of Western etiquette lessons in China would not leave my imagination alone. It nagged at me until I decided to share the idea with a former colleague experienced in evaluating emerging markets. He, too, saw an opportunity.My previous role as an executive at the Hearst Corporation included expanding its many brands. Prior to Hearst, I had implemented the same kind of brand-building strategy for Buzz, the L.A. magazine I launched. With contributing editors ranging from Jan Morris to Edmund White, Buzz built a reputation for its editorial quality. My partners and I were quick to leverage that reputation by launching Buzz Weekly, an arts and entertainment guide, by establishing Buzz On-Line, and by founding Buzz Books.In order to pursue Gilliam’s idea in China, we would first need to build a platform of brand recognition there. What about a book on Western business comportment for the Chinese? I thought. Not too unlikely a consideration, but one requiring a next step.A train of incidents moved me forward: I’d written a novel published the year before. . . . My literary agent, based in London, had an associate in Beijing. . . . That associate was taken by the idea of a book for Chinese about Western business comportment.In a combined state of ignorance and enthusiasm, I resigned as chief of staff at the think tank and moved to Beijing during Gilliam’s summer break.That way madness lies, as the English would say, and I would have to agree--it was a fairly mad thing to do. Without a guaranteed source of income, I would be living off my savings; I didn’t speak Chinese; and I am far from an authority on manners. In point of fact, this is where I admit to several nasty tendencies, including a knee-jerk reaction to verbally wound those I think deserve the worst of me after they have tortured the best of me, which is my patience. That said, I’ve always made an effort to veer away from bad behavior and move toward the common sense that is good comportment. I do so because it is a shrewd approach to business and because I believe that there is value in the social contract humans have with one another.To a large degree, our beliefs are instilled by our parents. My parents were of the mind that upholding values required honorable action but, when all else failed, it was sensible to leave the premises. Both were only children who never returned to their places of origin.My father left the South to attend Harvard Business School. His only relative in the North was Sherman Billingsley. After a stint in Leavenworth during Prohibition for distributing liquor in the drugstores he bought for that purpose, Billingsley redeemed himself by creating the Stork Club, a glamorous gathering place for cafe society in New York.My mother was old-world European and a different kind of exile. Like her own mother, she was mentally ill. She was also impeccably mannered. I managed to hold these distinct and, at times, contradictory ideas in my head while sepia-toned propriety dispelled the larger disquiet of what became her progressively frequent stays in mental institutions. She would disappear and then reappear, as if nothing were out of place but time. The fact that she committed herself was never discussed or, indeed, acknowledged.If my professional career carries a credit balance, it can be found in my childhood. The intense ecosystem that was my family consisted of my parents, my two brothers, and me. But there was another, hidden member of our family: silence. And odd as it sounds, our implicit agreement to ignore that which was so obviously wrong enabled me, when it came time, to understand the Asian principle of saving face. It was also my childhood--with its forced introduction to the complexities of human nature--that would equip me, as an adult, to work with a disparate range of people, some considered completely impossible by most others.My father was a success in business. He was also an ethically exacting man. Believing that financial dependency wove a sticky web of complacency, he put my inherited privilege on a timer. Until twenty-one, I was safeguarded by advantages but expected to behave within the strict confines of a nonnegotiable correctness--one that forced my mother’s mental illness to hide beneath the surface. Given my remove from the wider world, the only opportunity to learn about the metaphorical scheme of things came from observing anything within my limited line of vision.Improbable as it may seem, that included Maria Callas.My father’s board meetings provided family forays from our home in Chicago to a hotel in New York where his company’s suite was directly across the hall from the one Aristotle Onassis kept for Callas during the better part of his marriage to Jackie Kennedy. Callas was my equivalent of what Flaubert must have encountered on his first trip to Egypt. Her physical being--splashed in bold, Picasso-like strokes--was wonderfully different from anything I had known. Having been confined to a life of nuance, I was fascinated by the theatrical exaggeration of hers. Never-ending activity swirled around her. A personal maid coordinated every form of room service. Floral deliveries arrived almost on the hour, and several times a day her white toy poodle--whose coat was trimmed like topiary--was handed to one of the bodyguards for its walk.There was a menacing kind of glamour to Onassis’s arrival, announced by the guttural sounds of armed security men who--my mother was quick to point out--didn’t know enough to remove their hats while in the elevator.“An ugly little man,” was her appraisal of Onassis. “Contemptuously unapologetic for the inconvenience he causes the other guests.”My mother’s observation was not incorrect. Onassis was a physically unattractive man. Far more interesting to me at thirteen was another fact, just as obvious: Onassis was a married man. That made Callas his mistress. At a time when that word had consequences, one might have thought the degree to which it was public would force a corresponding sense of embarrassment on her. That’s what should have happened according to the code of conduct by which I was brought up. But Maria Callas did not appear chastened. Quite the opposite. She was having an extremely good time, and that third irrefutable fact permitted me to consider that life need not be coded to what others believed to be proper behavior.Just as it was with my brothers, the vacuum sound of my father’s bank vault closing was heard as I was handed a college diploma. Having no choice in either matter, I had been raised to be--in equal parts--ladylike and employable. The former prepared me for who knows what; the latter provided a lifeline to self-reliance.At twenty-one, my ambitions were focused on New York, but dismal typing skills undermined my opportunities there. I took the only job available to me at the time: a substitute receptionist answering phones at the book publishing company Doubleday.Most callers don’t automatically announce themselves, so time after time I was forced to say, “May I ask who is calling?” The second day on the job, that straightforward question might have been reason enough for me to be told not to return for a third day.“Whoever you are, hang up the phone so I can call back and leave a message,” were the gruff instructions from an unannounced caller.“I think you’ll find me capable of taking a message,” I suggested glibly. “The first thing I would ask is the name of the person calling. Who may I ask is calling now?”The ominous silence that followed led me to believe I might have overstepped myself.The literary agent Candida Donadio was a maverick with no formal education but unerring instincts for identifying talent. She was born on October 22, 1929, a date, it is said, memorialized in Catch-22 and explained by the fact that Joseph Heller was her client. He was but one of them: Thomas Pynchon, William Gaddis, Philip Roth, John Cheever, Peter Matthiessen, Nelson Algren, and Christopher Isherwood--all were, in some part, due to Candida.A botched phone ploy brought us together.Trying to avoid talking to the Doubleday editor to whom she owed a call, Candida had hoped that, by leaving a message on the machine, she would be relieved of any further obligation. Instead, she got me.Candida was known to like a drink, and the several that had preceded her call allowed the barriers to slip long enough for her to suggest not that she have me fired but that we should meet. The suggestion was out of character for her: Candida was a semirecluse. “To trust is good,” she would tell me, and then she would add, “Not to trust is better.” Ignoring the width of our age gap, we became close friends. It was she who presuaded me to stake a career in book publishing.Impossible to have imagined, but eight years after my first job as a receptionist--by way of a great deal of luck and relentlessly hard work--I became the head of another publishing company, Arbor House, which, at the time, was part of the Hearst Corporation. Despite my off-topic introduction to Chinese business practices in Shenzhen shortly after I was named publisher, China intrigued me enough to return a year later--by myself and without the intent of doing business.Lured by its 1920s glamour, I spent a week in Shanghai’s old Cathay Hotel, whose rooms--festooned with gold silk and lacquered in red--were suffused with an aura of the past. Each afternoon, I took tea in the lobby among the ghosts of courtesans and gangsters. And when it came time to return to New York, I was determined that--be it on business or for the sake of travel--I would come back.I did.Revisiting Shanghai several years later, I took a bullet train from the airport to the center of the city. What fueled my disbelief was not that I was being hurtled ahead at two hundred and sixty-eight miles an hour on the thin layer of air between the train and the magnetized narrow tracks; far more disconcerting was what I saw when we slowed down and I looked out the window: some of the peasants--knee-deep in rice paddies--were on cell phones.Entering the telecommunications market with satellite-based platforms, China managed to leapfrog over the first generation of cable-based systems in the West, and now over 75 percent of its 1.3 billion–plus people have at least one cell phone.It could be the sheer number of people in China trying to have their say, but shrill voices--often combined with spittle spray--come across several decimals higher than is comfortable to Westerners. Noise accompanies one everywhere in China; there is practicality to the customary phone greeting wei, which means “Can you hear me?” or “Is anyone there?”Even after my third trip to China, the country continued to baffle. Its social rules were puzzling. Its business agreements were revocable. Its people were accessible and, at the same time, unreachable. Whenever a Sinophile would explain Chinese culture, my response was always the same polite “I see,” although I didn’t quite. Chinese history was too full of incident for a tidy explanation. I wanted a better understanding, and my mind kept circling back.Like a complicated mathematical equation I was determined to solve, China called me back numerous times over the next twenty-five years. There came many adventures, but only one revelation: I would remain forever and beguilingly mystified by the Middle Kingdom.


I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth

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11 of 11 people found the following review helpful. An Engaging Memoir ~ and True-to-Life Perspective of Working in China By Terrance Eden Collinsworth's "I Stand Corrected" is an engaging look at her experiences in China from both professional and personal perspectives. Collinsworth's wit is sharp, her sense of humor is sly, and she really knows how to tell a good story. I am a Chinese-American and I travel often between the US, Taiwan, and China for business ~ I work as a bridge of sorts, and I was pleasantly surprised by Collinsworth's keen observations. Many of the challenges she faced during her time in China were actually quite similar to what I need to contend with as well.In Taiwan, there's a joke that that describes China in computer terms ~ China's running the latest and greatest hardware, but the software is a few generations behind. The hardware refers to the new infrastructure, sprawling industrial complexes, shiny skyscrapers, the booming economy, etc. The software refers to the mentality of the people ~ there is a huge disparity between the rich, the well-educated, the ones who studied overseas, the aspiring middle-class, and people from the countryside. The city of ShenZhen, where Collinsworth spent a significant amount of time as a consultant, is a true melting pot not only of cultures but also economic classes ~ it's not out of the ordinary to see an ox cart sharing the road with a Lamborghini, for example.Overall, I found this book to be a quick and fun read ~ it's like an having an enthralling dinner guest over, and there were times I laughed out loud, shook my head, and cringed. I was attracted to this book since the author was in a comparable situation to my own, and I was very curious to hear what she had to say. I think it's fairly remarkable that she not only became comfortable with the daily ambiguities of living in China, but she also built a successful business by forging and leveraging relationships. This book gave me a fresh perspective and it reminded me to be more mindful in my own work.

9 of 10 people found the following review helpful. A mixed bag By Michael Nail for gimmethatbook This review originally appeared on my blog, www.gimmethatbook.comEden Collinsworth has spent more time traveling and being away from home than most people you know. She is intimately familiar with China, having spent a lot of time there as a business consultant. This story is about the year she spent writing a manual for the Chinese on Western manners. Her tone is light and breezy, and she gives you the feeling that nothing fazes her.Each chapter is titled with a subject relevant to manners, such as proper grooming, how to greet people, and how to behave at a dinner party. She shares personal anecdotes, then goes on to explain how these anecdotes relate to the writing of her book. More often than not, the chapter ends with a statement that leaves you hanging, and you eagerly go to the next chapter expecting the same thread to be picked up.It’s not.Her writing style is easy to read, but the subjects are many. She will lead off talking about turtles, then go into an explanation of Chinese cuisine, then end with some story seemingly irrelevant to the topics above. By the time I got to the middle of the book, I was expecting all her tales to end abruptly, and a new subject to be broached with the thinnest of segues. This is the only complaint I have about the book. Eventually a later chapter will return to the turtle, or a co worker, or the reason she was talking about her dinner party.Collinsworth is a woman clearly used to dealing with men in a man’s world, and for that I admire her. She seems to be very lucky in her business dealings, and many opportunities landed in her lap simply as a result of being in the right place at the right time.Some personal details, such as her then-husband, referred to as “W”, and her son’s growing up and maturing, figure prominently in the book. It’s a combination of a memoir, explanation of how her book on manners came to be written, and a Chinese history lesson.My feelings about this book are mixed. To me, it was more about the author’s life, travels, and relationship with her family, with some background material related to Eastern vs Western manners. I came away knowing a little bit more about the Chinese mindset, but what stuck with me was how Collinsworth spent her life almost as a transient, always seeking the new experience over comfort and similarity. Perhaps the best way to review this book would be: akin to Chinese food–made up of many ingredients but not very filling over the long run. Read it for yourself and let me know what you think.You can pick up a copy here.I received this book from Netgalley.com in exchange for an honest review.

8 of 9 people found the following review helpful. of passing interest By s. berger It's really not what it pretends to be. Entertaining in parts, yes. Self-congratulatory, definitely. It is the encounters of a rich, well-connected woman who goes places and meets people you will never meet. The "lessons" are about 30 in number, some very interesting, for example, Chinese like to hack and spit and the author, in her lessons for the Chinese has to warn them about doing this in the company of Westerners. Others are not so amusing. She dotes on her son to excess and plays a coy game with the reader, refusing to name her ex-husband but leaving copious, obvious clues as to who he is, but insisting on identifying him only by an initial. He crops up frequently. It becomes tedious after a while. The author digresses through most of the book to describe her escapades in other countries, often using her son as a foil. This gets tiresome as well.The book seems strung out and I when got halfway through it I said "enough" and returned it to the library.

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I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth

I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth
I Stand Corrected: How Teaching Western Manners in China Became Its Own Unforgettable Lesson, by Eden Collinsworth

Jumat, 19 Februari 2010

This I Believe: PhiladelphiaFrom The History Press

This I Believe: PhiladelphiaFrom The History Press

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This I Believe: PhiladelphiaFrom The History Press

This I Believe: PhiladelphiaFrom The History Press



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This I Believe is an international project engaging people in writing, sharing, and discussing the core values that guide their daily lives. And it all started in Philadelphia more than seven decades ago with a local radio series that became an international sensation. This book features thirty essays from that original 1950s This I Believe radio series, including contributions from publisher and philanthropist Walter Annenberg, classicist and educator Edith Hamilton, anthropologist Margaret Mead, and Pulitzer-winning author James Michener. Complementing those historical selections are thirty contemporary essays produced through a partnership among This I Believe, WHYY, and Leadership Philadelphia. These essayists include Philadelphia Inquirer columnist Frank Fitzpatrick, Grammy Award winner Kenny Gamble, Philadelphia Mural Arts Program executive director Jane Golden, and Mayor Michael Nutter. Altogether, this collection is an insightful reflection of the guiding principles that drive the people of Philadelphia, who believe in brotherly love—and so much more.

This I Believe: PhiladelphiaFrom The History Press

  • Amazon Sales Rank: #935288 in eBooks
  • Published on: 2015-10-05
  • Released on: 2015-10-05
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This I Believe: PhiladelphiaFrom The History Press

About the Author Dan Gediman is executive director of This I Believe, Inc., a nonprofit organization that engages people in writing and sharing stories describing the core values that guide their daily lives. These short statements of belief have been featured on public radio, on the web, and in print since 2005, and the essay collection of more than 150,000 statements of belief can be found at thisibelieve.org. Gediman is the coeditor of the New York Times bestseller This I Believe, as well as This I Believe II and six other collections of This I Believe essays. A thirty-year public radio veteran, his work has been heard on All Things Considered, Morning Edition, Fresh Air, Marketplace, Jazz Profiles, and This American Life. He has won many of public broadcasting's most prestigious awards, including the duPont-Columbia Award.Mary Jo Gediman has worked in professional communications for more than twenty-five years as a writer, editor, and project manager. Since joining This I Believe in 2006, she has worked collaboratively to extend the reach of the project into secondary schools, colleges/universities, library systems, public radio stations, newspapers, and local communities nationwide. Gediman is an editor of the award-winning This I Believe website and is co-editor of the books This I Believe: On Love, This I Believe: On Motherhood, This I Believe: On Fatherhood, This I Believe: Life Lessons, and This I Believe: Kentucky.Elisabeth Perez-Luna has been working as a journalist and independent audio producer for National Public Radio and other news and documentary networks for several decades. She has been at WHYY since 1999, first as news director and now as the executive producer of audio content. She is the producer of special series such as This I Believe--Philadelphia, Impact of War Pennsylvania, and other programs, sound portraits, audio environments, and features for radio and web. Perez-Luna has received numerous awards for her national and regional work.


This I Believe: PhiladelphiaFrom The History Press

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0 of 0 people found the following review helpful. Poignant and heartwarming This I Believes from the 1950s and the early 21 century By Keith Wheelock This is a superb collection of personal essays reflecting the beliefs of Philadelphians in the 1950s and in the early 21 century. It continues the This I Believe book series that were initiated in the early 1950s and captured a CBS audience of 39 million listeners weekly. I find striking the contrast between many of the early and current This I Believes. Initially, essayists often seemed more formal. The current essays frequently are stories that are a snapshot of one aspect of the authors' beliefs. All are worth reading, preferably aloud. The book makes a marvelous gift to old and young--whomever is interested in personal beliefs and, perhaps, in trying their hand at writing their personal beliefs.

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Outlining A Book Made Easy: How to Outline Your Book Quickly and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Bo

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Outlining A Book Made Easy: How to Outline Your Book Quickly  and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Book Guide 2), by Daniel B Lancaster

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Outlining A Book Made Easy: How to Outline Your Book Quickly and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Book Guide 2), by Daniel B Lancaster

  • Amazon Sales Rank: #323590 in eBooks
  • Published on: 2015-11-02
  • Released on: 2015-11-02
  • Format: Kindle eBook
Outlining A Book Made Easy: How to Outline Your Book Quickly and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Book Guide 2), by Daniel B Lancaster


Outlining A Book Made Easy: How to Outline Your Book Quickly  and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Book Guide 2), by Daniel B Lancaster

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3 of 3 people found the following review helpful. Great little book... By Kindle Customer This is exactly what it claims to be - a simple little book of fifteen outline templates. It should be noted that these outlines are going to be useful for nonfiction rather than fiction, so if you're looking for fiction outline templates this likely isn't going to help. It should also be noted that there are no illustrations or real examples given of finished outlines in the book. That being said, the directions given to create the outlines are straightforward enough and written in a step-by-step manner. I definitely recommend this book for those serious about outlining and in need of help finding their style for doing so.

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Outlining A Book Made Easy: How to Outline Your Book Quickly and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Book Guide 2), by Daniel B Lancaster

Outlining A Book Made Easy: How to Outline Your Book Quickly and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Book Guide 2), by Daniel B Lancaster

Outlining A Book Made Easy: How to Outline Your Book Quickly and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Book Guide 2), by Daniel B Lancaster
Outlining A Book Made Easy: How to Outline Your Book Quickly and Write Faster Using 15 Book Writing Outline Templates (I Want to Write a Book Guide 2), by Daniel B Lancaster

Selasa, 16 Februari 2010

Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

After downloading and install the soft data of this Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright, you can start to read it. Yeah, this is so delightful while somebody must review by taking their huge books; you are in your new way by only handle your device. Or perhaps you are operating in the office; you could still use the computer to read Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright totally. Of course, it will certainly not obligate you to take many pages. Merely page by web page relying on the moment that you need to check out Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright



Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

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Not too easy, not too hard: with their cool clues and trivia, these Wednesday crosswords offer just the right challenge for medium-level solvers. In addition, the 125 large-print puzzles compiled here won't strain your eyes, so working on each grid is a pleasure.

Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

  • Amazon Sales Rank: #54392 in Books
  • Published on: 2015-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x .90" w x 8.70" l, 1.75 pounds
  • Binding: Spiral-bound
  • 288 pages
Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

About the Author Peter Gordon is the Editorial Director for Sterling Publishing's Puzzlewright Press, overseeing the puzzle and game books, and was the crossword editor of the New York Sun. He edited a weekly crossword for the Washington Post and has an online crossword at FireballCrosswords.com. The 50+ books written and edited by Gordon have combined sales of more than a million copies.


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Most helpful customer reviews

1 of 1 people found the following review helpful. ENTERTAINIG AND EASY ON THE EYES. By Book & Music Lover Kate Exactly what I was looking for. Print and spaces are large enough and there is enough difficulty to the puzzles to keep me interested.

1 of 1 people found the following review helpful. Five Stars By Beth Great book.

0 of 0 people found the following review helpful. Print too large. LOL. Will get smaller print ... By Bob & Kathy Print too large. LOL. Will get smaller print next time.

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Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright
Entertaining Intermediate Large Print CrosswordsFrom Puzzlewright

Senin, 15 Februari 2010

The Elements of Style, by William Strunk Jr.

The Elements of Style, by William Strunk Jr.

We discuss you likewise the means to get this book The Elements Of Style, By William Strunk Jr. without visiting the book establishment. You can continuously see the link that we offer as well as all set to download and install The Elements Of Style, By William Strunk Jr. When many individuals are busy to look for fro in the book store, you are very easy to download and install the The Elements Of Style, By William Strunk Jr. right here. So, what else you will opt for? Take the inspiration here! It is not only giving the best book The Elements Of Style, By William Strunk Jr. yet also the appropriate book collections. Here we constantly give you the most effective and also most convenient way.

The Elements of Style, by William Strunk Jr.

The Elements of Style, by William Strunk Jr.



The Elements of Style, by William Strunk Jr.

Download Ebook PDF Online The Elements of Style, by William Strunk Jr.

The Elements of Style by William Strunk, Jr. is a prescriptive American English writing style guide comprising eight "elementary rules of usage", ten "elementary principles of composition", "a few matters of form", a list of forty-nine "words and expressions commonly misused", and a list of fifty-seven "words often misspelled". In 2011, Time magazine listed The Elements of Style as one of the 100 best and most influential books written in English since 1923.[

The Elements of Style, by William Strunk Jr.

  • Amazon Sales Rank: #46860 in Books
  • Published on: 2016-03-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .18" w x 5.00" l, .20 pounds
  • Binding: Paperback
  • 72 pages
The Elements of Style, by William Strunk Jr.

Review "...a marvellous and timeless little book... Here, succinctly, elegantly and without fuss are the essentials of writing clear, correct English." John Clare, "The Telegraph" --online

From the Back Cover

You know the authors’ names. You recognize the title. You've probably used this book yourself. And now The Elements of Style—the most widely read and employed English style manual—is available in a specially bound 50th Anniversary Edition that offers the title's vast audience an opportunity to own a more durable and elegantly bound edition of this time-tested classic.Offering the same content as the Fourth Edition, revised in 1999, the new casebound 50th Anniversary Edition includes a brief overview of the book's illustrious history. Used extensively by individual writers as well as high school and college students of writing, it has conveyed the principles of English style to millions of readers. This new deluxe edition makes the perfect gift for writers of any age and ability level.

 

 

Fifty Years of Acclaim for The Elements of Style, by William Strunk Jr. and E.B. White

                                                                                                                                                                               

“I first read Elements of Style during the summer before I went off to Exeter, and I still direct my students at Harvard to their definition about the difference between 'that' and 'which.'  It is the Bible for good, clear writing.”

                        -- Henry Louis Gates Jr.

 

“For writers of all kinds and sizes the world begins and ends with Strunk and White’s Elements of Style. Only something to actually write about trumps the list of what is required to put words together in some kind of coherent way. I treasure its presence in my life and salute its fifty years of glory and accomplishment.”

                        -- Jim Lehrer

 

“The Elements of Style remains an unwavering beacon of light in these grammatically troubled times.  I would be lost without it.”

                        -- Ann Patchett

 

"To the extent I know how to write clearly at all, I probably taught myself while I was teaching others -- seventh graders, in Flint, Michigan, in 1967.  I taught them with a copy of Strunk & White lying in full view on my desk, sort of in the way the Gideons leave Bibles in cheap hotel rooms, as a way of saying to the hapless inhabitant: ‘In case your reckless ways should strand you here, there's help.’  S&W doesn't really teach you how to write, it just tantalizingly reminds you that there's an orderly way to go about it, that clarity's ever your ideal, but -- really -- it's all going to be up to you."

                        -- Richard Ford

 

 

“The Elements of Style never seems to go out of date. Its counsel is sound and funny, wise and unpretentious. And while its precepts are a foundation of direct communication, Strunk and White do not insist on a way of writing beyond clear expression. The rest is up to the imagination, the intelligence within.”

                        -- David Remnick, editor of The New Yorker

 

 “It’s the toughness—the irreverence and implicit laughter—that attracted me to the little book when I was seventeen. I fell in love with Strunk & White’s loathing for cant and bloviation, the ruthless cutting of crap, jargon, and extra words. For me, that skeptical directness included a tacit permission by The Elements of Style to break its rules on occasion: an alloy of generosity in the blade, a grace I still admire and still learn from.”

                        -- Robert Pinsky

 

“In the quest for clarity, one can have no better guides than Strunk and White. For me, their book has been invaluable and remains essential.”

                        -- Dan Rather

 

"Eschew surplusage! A perfect book."

                        --Jonathan Lethem

 

"Not until I started teaching writing and I reread The Elements of Style did I realize that

most everything I would be teaching young writers, and everything I would be learning myself as a writer, was contained between the covers of this slim, elegant, wise little book."

                        -- Julia Alvarez

 

 “Strunk and White seared their way into my brain long ago, and I benefit from them daily.”

                        -- Stephen J. Dubner, co-author of Freakonomics

 

“Since high school, I have kept a copy of this book handy. That should be unnecessary. I should, by now, have fully internalized The Elements of Style. But sometimes I get entangled in a paragraph that refuses to be ‘clear, brief, bold.’ I dip back into The Elements of Style and am refreshed.

     After Scott Simon interviewed me on NPR about whether the word ‘e-mail’ needs a hyphen (yes, it does), some listeners, including friends of mine, wondered why I had answered in the affirmative when asked, in passing, ‘Are you a drunken white man?’ Those listeners misheard. ‘Strunk and White man’ was what Scott said.”

                        -- Roy Blount Jr.

 

“Strunk & White--writing's good-natured law firm--still contains enough sparkling good sense to clean up the whole bloviating blogosphere."

                  -- Thomas Mallon

 

 “I used Strunk -- that’s what we called it, Strunk -- as a student at Berkeley fifty years ago.  I didn't know that it was new, and that we were the first generation to be educated in The Elements of Style.  I got a firm foundation in the English language, learned to write basically, and could depict the realistic world.  Then I was able to become an impressionist and expressionist.” 

                  -- Maxine Hong Kingston

 

 “Strunk and White's gigantic little book must be the most readable advice on writing ever written.  Side by side with Roget, Shakespeare, the Bible, and a dictionary, it's an essential for every writer's shelf.”

                        -- X.J. Kenned...

About the Author

William Strunk, Jr. first used his own book, The Elements of Style, in 1919 for his English 8 course at Cornell University. The book was published in 1935 by Oliver Strunk. E. B. White was a student in Professor Strunk's class at Cornell, and used "the little book" for himself. Commissioned by Macmillan to revise Strunk's book, White edited the 1959 and 1972 editions of The Elements of Style.


The Elements of Style, by William Strunk Jr.

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Most helpful customer reviews

200 of 206 people found the following review helpful. WARNING: Amazon is commingling reviews By Brian's Dad First of all, great book. Been writing professionally for 20 years, and I still use this book occasionally.WARNING on REVIEWS: Amazon is using the same customer reviews for "The Elements of Style, Fourth Edition" by Strunk and White (1999) and "The Elements of Style - the Original Edition" by Strunk (without White) (1920), re-published September 2007.Since the republication of Strunk's original work was released in September 2007, all reviews before that date pertain to "Strunk & White." Any review after that date, unless clearly indicated, could pertain to either book.The books are markedly different, but Amazon is using the same customer reviews for both.

595 of 631 people found the following review helpful. Essential Writer's Tool. By Christopher B. Jonnes When I write a book I use only a handful of reference tools: dictionary, thesaurus, Gregg's Reference Handbook, Writers Market, and the Elements of Style. Strunk and White is a wonderfully-written, extraordinarily concise tool that pays homage to classic high-end English. It takes language insight to make this prediction in 1979: "By the time this paragraph makes print, uptight... rap, dude, vibes, copout, and funky will be the words of yesteryear." The book begins with eleven "Elementary Rules of Usage," and then continues with eleven more "Elementary Rules of Composition," and eleven "Matters of Form." Each is presented as a brief statement followed by another sentence or two of explanation and a few clarifying examples. This amazing compilation fills only thirty-eight pages, yet covers ninety percent of good writing fundamentals. My favorite section is Chapter IV, a twenty-seven-page, alphabetical listing of commonly misused words and expressions. Here's a trade secret: when my manuscript is "done," I then turn to this chapter and use my word processor's Find function to study every instance of all these problematic words and phrases. I never fail to find errors this way. Many great writers are so only because they've learned to make use of the best available tools. The end of the book contains an essay on "An Approach to Style" with a list of twenty-one "Reminders." Those who fight the apparently-natural tendency to go against these recommendations succeed as writers. Those who don't, fail. It's that simple. The single drawback of The Elements of Style is that it's too concise; it does not stand alone as an all-encompassing tutorial or reference guide. Many readers will seek other sources for more in-depth explanation of style elements. Despite that, it easily replaces ten pounds of other reference material. --Christopher Bonn Jonnes, author of Wake Up Dead.

163 of 170 people found the following review helpful. "Writing is hard, even for authors who do it all the time." By E. Bukowsky This jazzy edition of the classic "The Elements of Style," by Strunk and White, features stylized, exuberant, riotously colorful, and often whimsical illustrations by Maira Kalman. In addition, a few references have been changed to make the book more relevant. For instance, in the earlier edition, the authors cautioned against the use of acronyms with this example: "Not everyone knows that SALT means Strategic Arms Limitation Talks." The new edition states, "Not everyone knows that MADD means Mothers Against Drunk Driving." In the section on slang, Strunk and White advised writers to use standard language and avoid such words as "uptight, groovy, rap, hangup, vibes, copout, and dig." In the new edition, examples of slang are "psyched, nerd, ripoff, dude, geek, and funky." Strunk and White advocated "using scissors on the manuscript, cutting it to pieces and fitting the pieces together in a better order." In the current edition, writers are encouraged to use a word processor to move text from place to place.Is a new edition of this handbook really necessary? I believe that it is, not only because of the archaic references that needed updating, but also because today's younger writers need visual stimulation and pizazz to capture their attention; this edition has both. Strunk and White's words of wisdom are, for the most part, reprinted as they appeared in earlier editions. The authors discuss such topics as elementary rules of usage, principles of composition and form, words commnonly misused, and tips on how to develop an effective and natural style. Even experienced writers would do well to review "The Elements of Style" now and then to remind them of the importance of clarity, brevity, simplicity, and consistency.

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The Elements of Style, by William Strunk Jr.
The Elements of Style, by William Strunk Jr.