Composing for Japanese Instruments (Eastman Studies in Music), by Minoru Miki
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Composing for Japanese Instruments (Eastman Studies in Music), by Minoru Miki
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The unique sounds of the biwa, shamisen, and other traditional instruments from Japan are heard more and more often in works for the concert hall and opera house. Composing for Japanese Instruments is a practical orchestration and instrumentation manual with contextual and relevant historical information for composers who wish to learn how to compose for traditional Japanese instruments. Widely regarded as the authoritative text on the subject in Japan and China, it contains hundreds of musical examples, diagrams, photographs, and fingering charts. Many of the musical examples can be heard on a companion website. The book also contains valuable appendices, one of works author Minoru Miki composed using Japanese traditional instruments, and one of works by other composers -- including Toru Takemitsu and Henry Cowell -- using these instruments. Minoru Miki was a composer of international renown, recognized in Japan as a pioneer in writing for Japanese traditional instruments. Marty Regan is associate professor of music at Texas A
Composing for Japanese Instruments (Eastman Studies in Music), by Minoru Miki- Amazon Sales Rank: #2395433 in Books
- Published on: 2015-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .65" w x 5.98" l, .0 pounds
- Binding: Paperback
- 288 pages
Review An invaluable resource for all composers, scholars, and performers who are interested in Japanese instruments. The aptly chosen examples from both traditional repertoire and Miki's own contemporary pieces, clear charts for ranges and fingerings, and in-depth discussion of idiomatic performance techniques go a long way to help demystify these beautiful instruments. I wish I had this book many, many years ago. --Ken Ueno, Rome Prize-winning composer and Professor at the University of California, Berkeley Composing for Japanese Instruments is a well-organized and systematic manual on how to approach, listen to, and compose for traditional Japanese instruments. When Minoru Miki first published it in 1996, he brought alive the arcane world of traditional Japanese instruments and music for a new generation of Japanese composers. Now, with the English edition, composers and scholars from around the world will have the same opportunity to discover and utilize the rich musical possibilities inherent in these beautiful instruments. --Christopher Yohmei Blasdel, Shakuhachi performer, Artistic Director, The International House of Japan, Inc. This is the book I've always wished to have. It is not only complete in teaching about Japanese instruments but also challenging and inspiring for those of us who have an interest in new sounds and ways of making music. --Hyo-shin Na, composer A most welcome addition to the few items available in English concerning Japanese musical instruments. --Philip Gelb, composer and shakuhachi player
About the Author Marty Regan is assistant professor of music at Texas A&M University; Philip Flavin is a research fellow in the School of Languages, Cultures and Linguistics at Monash University, Australia.
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0 of 0 people found the following review helpful. Excellent book on understanding the theory and playing techniques of ... By Amazon Customer Excellent book on understanding the theory and playing techniques of the major traditional musical instruments of Japan! Invaluable book to have for any musician interested in Japanese arts and culture. Highly recommended to everyone!
1 of 2 people found the following review helpful. The most important text for Japanese Traditional Instruments composing By NAKAMURA Noriko There is full of researches for Japanese almost traditnal instrument.It is so important and necessary to check when composers start to create new music for Japanese instruments.CD is suggestive to compose.Please check it.
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