Shoot Like Spielberg: The Visual Secrets of Action, Wonder and Emotional Adventure, by Christopher Kenworthy
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Shoot Like Spielberg: The Visual Secrets of Action, Wonder and Emotional Adventure, by Christopher Kenworthy
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Spielberg makes his audience feel something, whether he’s shooting a kids’ adventure, a dramatic chase, or the darkest war scene. The auteur always employs a core set of techniques that make each shot crystal clear and evoke the most intense emotions from the audience. This book shows you how. From tension to tearjerker, these moves will make your scenes memorable enough to be talked about for years to come. Spielberg directs films that cover everything from childhood dreams to the horrors of war. He always hones in on the emotional center of a scene. This book unravels the secrets of his core techniques, and shows how you can use the same simple camera moves and setups to make your films full of wonder, thrills, and emotion.
Shoot Like Spielberg: The Visual Secrets of Action, Wonder and Emotional Adventure, by Christopher Kenworthy- Amazon Sales Rank: #255387 in Books
- Published on: 2015-11-01
- Original language: English
- Number of items: 1
- Dimensions: 7.90" h x .30" w x 5.20" l, .0 pounds
- Binding: Paperback
- 144 pages
About the Author Christopher Kenworthy worked as a writer, director, and producer for fourteen years. He directed a feature film, along with many music videos and commercial projects. Currently he is focused on writing. Christopher is the author of the internationally bestselling Master Shots series (three volumes). He also shot, wrote, and created the groundbreaking Master Shots eBook series available on the Apple iBook platform. Born in England, he currently lives in Australia with two daughters and the actor Molly Kerr.
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Most helpful customer reviews
4 of 4 people found the following review helpful. Good Book for both Screenwriters and Filmmakers By Matthew Terry Spielberg, Hitchcock, Truffaut, Tarantino, Coppola – there are some directors that resonate with just their last name. You know, pretty much, their styles with story, visuals and structure.Spielberg, out of those five, has been able to make films that are both wildly successful and artistically cutting edge at the same time. He doesn’t sacrifice story for visuals but enhances the story through visuals.Christopher Kenworthy focuses on specific scenes in eight of Spielberg’s films over 10 chapters (“Amistad” and “Empire of the Sun” get used twice).As a screenwriter and filmmaker – I enjoyed this book on two different levels. How Spielberg would use the visuals to tell the story he wants to tell (screenwriter level) and how he used camera and camera movement (or lack thereof) to accomplish that feat (filmmaker level).For instance, Kenworthy highlights a scene in “Jaws” where Spielberg shot it to create, as Kenworthy says: “Dynamic Dialogue.” (Not unlike the way that Blake Snyder talked about the “Pope in the Pool” idea of writing creative scenes with interesting visuals.) As a writer, you can learn from the visuals on how to write a scene that has certain dialogue you want to get across, as a filmmaker you can see how simply Spielberg did it (and hopefully recreate it yourself).As good as this book is, there are a couple of suggestions I would make in upcoming editions. Suggestion one would be to put a time-stamp as to when the scene takes place so the reader can just quickly fast forward to that chapter or moment. Another suggestion would be to also include other films not directed by Spielberg that also uses similar techniques – just to give the reader a different perspective.Now I’m looking forward to the “Shoot like Hitchcock, Truffaut, Tarantino, etc.” editions.Call it a book on cinematography or call it a book on film study. Whatever you want to call it, Christopher Kenworthy’s book will help you appreciate and understand what Spielberg brings to the screen.
2 of 2 people found the following review helpful. "Spielberg" is the first one I read, but all 3 are great By Kimberly Adelman I see Amazon is offering a special where you can buy all three of these "Shoot Like" books together. Having read all three, I'd recommend it. "Spielberg" is the first one I read, and the other two are just as solid. I teach Low Budget Filmmaking, and although Spielberg is not a low budget filmmaker, the techniques illustrated in this book should be in every filmmaker's toolkit. So many low budget films would be improved if the filmmakers took the time to learn how to tell a story in a compelling manner. While the author uses obvious Spielberg classics like "Raiders of the Lost Ark" and "E.T.", he also uses "Armistad" to teach the technique of rapid storytelling. And "Empire of the Sun" (it always amazes me how many people have never seen this film) is used to teach visual storytelling.
0 of 0 people found the following review helpful. ... every Spielberg film before you use this book” is good advice, but who hasn’t already done so By mediagoddess Christopher Kenworthy’s statement to “watch every Spielberg film before you use this book” is good advice, but who hasn’t already done so? Director extraordinaire Spielberg is a master and what better way is there to learn the art of directing than by dissecting and thoroughly understanding how the master executes his craft? The subtitle of this book is: “The Visual Secrets of Action, Wonder, and Emotional Adventure” and that’s what you’ll find in this volume – how to successfully capture action, wonder and emotional adventure within your movies of your own stories. It is not easy to illustrate these three elements on film and you’ll discover how to do so by taking these one-by-one steps through some of film’s greatest classic movies. “Learn by doing” is an age-old way of understanding how artists have illustrated their vision and this book helps you bring out that wonder and emotional tone in scenes that otherwise would be dull and uneventful. I especially enjoyed Chapter 2 Guiding the Eye: E.T. the Extra-Terrestrial analysis and learned so much more about a film I thought I knew quite well. It made me watch the tale of the lost alien again and this time my viewing experience was heightened. I highly recommend this book for directors who are looking to find their directing A-game. You won’t regret it, this is an amazingly powerful little volume of work. – Laurie Scheer, mediagoddess, Instructor UW-Madison Liberal Arts & Applied Studies and author of The Writer’s Advantage: A Toolkit for Mastering Your Genre (Michael Wiese Productions, 2014)
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