Popkiss: The Life and Afterlife of Sarah Records, by Michael White
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Popkiss: The Life and Afterlife of Sarah Records, by Michael White
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From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country-sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as “indie-pop,” “C86,” “cutie” and “twee”) whose moment had passed. Yet now, more than 20 years after its founders symbolically “destroyed” it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians-some of them not yet born when Sarah shut down-claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences.
Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah's eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.
Popkiss: The Life and Afterlife of Sarah Records, by Michael White- Amazon Sales Rank: #291128 in Books
- Published on: 2015-11-19
- Released on: 2015-11-19
- Original language: English
- Number of items: 1
- Dimensions: 8.93" h x .75" w x 6.14" l, 1.05 pounds
- Binding: Paperback
- 280 pages
Review
“It's hard to think of another record company that provoked such strong emotions as Sarah: the label, and the music it released, inspired either undying devotion or implacable loathing. Michael White's book shines a brilliant light on a strange and unique moment in indie history, illuminating a fascinating, lost world of pop, politics, passion and postal orders.” ―Alexis Petridis, Head Rock and Pop Critic, The Guardian, UK
“Combining a zine-like zeal for its subjects with a thorough examination of the cultural context that made them special, the interconnected narratives of Popkiss form an IRL internet for people who believe a record is something to hold, cherish and scratch rather than click into the cloud. This is an essential archive of a pivotal moment in UK pop history that was in danger of fading from our collective pre-web memory.” ―Stuart Berman, Pitchfork Contributor and author of This Book Is Broken: A Broken Social Scene Story and Too Much Trouble: A Very Oral History of Danko Jones
“More than the labels that inspired its existence, Sarah Records came to define the indie-pop aesthetic. A great record label needs a great biography, and it's hard to think of anyone who could tell the Sarah story as empathetically as Michael White. Popkiss is a triumph.” ―Pete Paphides
“[A] detailed history of the cult Bristol-based indie ... [White] puts forward a strong case for its worth. A fascinating and singular story.” –Mike Barnes, MOJO
“White's history is a much-needed document, fleshing out details and explanation for a label and ‘scene’ that has meant so much to so many yet not received the literary attention it deserves … Popkiss is immensely readable and incredibly successful in uncovering the secrets of a record label that was timeless in its output, limited in its lifespan, and for the most part known to only a select few record-philes during its duration. If you were in the know, Popkiss will help you discover Sarah anew. If you weren't, you will find endless rabbit holes down which to venture. Either way, you'll come away pleased.” –Frank Valish, Under the Radar
About the Author Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years.
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Most helpful customer reviews
8 of 8 people found the following review helpful. Call me a twaddling fanboy if you like, but Popkiss is a hugely enjoyable evocation of ... By Chris Abram Call me a twaddling fanboy if you like, but Popkiss is a hugely enjoyable evocation of a lost age of independent music--one that meant a lot to me then and continues to fascinate now. White writes with considerable wit and verve, and I didn't detect any "journalistic errors," though nor was I searching for any. At times I wish he could go into more detail--this book flies by, and there are some avenues not fully explored. But I've been entranced by this peek behind the curtain of a scene that partly defined my youth. Sarah always brought out the haters: plus ca change, it seems.
5 of 5 people found the following review helpful. and made me a better music fan By Adam Trujillo I went into Popkiss a minor Sarah fan (mostly because of Blueboy and The Hit Parade). I left Popkiss not only with a renewed and expanded interest in Sarah, but with warm fuzzy feelings about indie pop at large and my relationship to it as a fan.The closest comparison I can make is to Simon Reynold's postpunk survey Rip It Up and Start Again. The structures and writing styles of both books are similar, certainly. More importantly, though: both books challenged my perceptions about their subject matters, got me thinking about how I engage with music, and made me a better music fan. Definitely a worthwhile read for anyone interested in 80s/90s indie.
2 of 2 people found the following review helpful. A great historical overview of a wonderful label By too_old_to_be_so_indie I was a big fan of Sarah Records in the early 90's, and this book is a wonderful history of the label and the bands and the people involved. It's a great introduction for people unfamiliar with Sarah, and a great trip down memory lane for existing fans.
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